![]() ![]() Artists have a lot of vision for the way a visual should look. Sometimes it's communication through email and pitches and I just kind of throw-in what I think is cool. Like, sometimes you might be working through a management person or somebody with the label, or you might be working directly with an artist. Matt Meiners: Yeah, it varies from project to project. Do you communicate with artists while you’re working on their album art? Matt Meiners: When you say it like that, I do kind of feel some pressure, but it really only hits me after it's out and I'm like, “Oh damn, I hope I didn't leave some weird layer on."īut honestly, it depends on the project and the artist. When you’re creating art for superstars like 21 Savage and Lil Uzi Vert, is there any added pressure knowing that millions of people are going to see your work? That was kind of like what I was missing in my life. I realized I had to change my work habits, that I have to be accountable for what I created. I was leaning on things, you know, drinking too much, partying too much, eating bad food and trying to avoid reality. I was failing and had never failed before. Matt Meiners: It was one of those moments where I didn't feel like myself, and I didn't know how to deal with that. ![]() Can you tell me about that dark patch and how you got yourself out of it? When I met you at The School Of Visual Arts ( SVA) you were rebounding from a low point in your life.
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